By Gabrielle Jennings, Kate Mondloch
Read or Download Abstract Video: The Moving Image in Contemporary Art PDF
Best other media books
In terms of paintings, London is healthier identified for its galleries, no longer its graffiti. even if, now not if photographer Martin Bull has something to claim approximately it. whereas newspapers and magazines internationally ship their critics to check the most recent Damien Hirst express on the Tate sleek, Bull, in flip, is out taking photographs of the newest road installations by means of guerilla artwork icon Banksy.
The lovely mosaics that illustrate the tale of construction within the church of San Marco in Venice are the focal point of Penny Howell Jolly's compelling and provocative booklet. even if the genesis mosaics allegedly replica a virtually destroyed fifth-century illuminated Greek manuscript, Jolly translates them as a social rfile revealing the fundamental misogyny that existed in 13th-century Venice.
Энциклопедия мозаичного искусства, история и техники мозаики.
- The Idea of Nature in Disney Animation: From Snow White to WALL-E (Ashgate Studies in Childhood, 1700 to the Present)
- From Fu Manchu to Kung Fu Panda: Images of China in American Film (Critical Interventions)
- Recording Conceptual Art: Early Interviews with Barry, Huebler, Kaltenbach, LeWitt, Morris, Oppenheim, Siegelaub, Smithson, and Weiner by Patricia Norvell
- Virtual Memory: Time-Based Art and the Dream of Digitality
- Zentangle 3: Tangling With Rubber Stamps Expanded Workbook Edition
- Film Restoration: The Culture and Science of Audiovisual Heritage
Extra info for Abstract Video: The Moving Image in Contemporary Art
22. The term selfie was Oxford Dictionaries Word of the Year in 2013. com/press-releases/oxford-dictionaries-word-of-the-year-2013/. Varnedoe, Pictures of Nothing, 160. 24. Rosalind Krauss, “Video: The Aesthetics of Narcissism,” October 1 (1976): 50–64. 25. Krauss, “Aesthetics of Narcissism,” 50. 26. Krauss, “Aesthetics of Narcissism,” 53. 27. For more on Joan Jonas’s Vertical Roll, see Siona Wilson’s contribution to this volume (chapter 4). 16 • I n t r o d u c t i o n PART ONE TRANSMISSION This page intentionally left blank 2 FILM IMAGE / ELECTRONIC IMAGE The Construction of Abstraction, 1960–1990 John G.
Photograph © 2014 Artists Rights Society (ARS), New York / ADAGP, Paris. 3 The Nova Scotia College of Art in Halifax put on an exhibition (October 25 to November 9, 1969) featuring four different media presentations from Class One of the Synopsis of Categories, “Abstract Relations. X. V. Guide (Saturday, October 25); advertising posters bought for twelve routes of the Halifax city bus network (October 25 to November 1); and a billboard went up on St. Margaret’s Bay Road. My focus here is on the third Canadian manifestation of The Second Investigation, at the Douglas Gallery in October 1969, which, uniquely, attempted to program Synopsis text on broadcast television.
This engagement in the temporality of the screening process and the direct acknowledgment of the viewer also come into play in the work of artists working in video from the early 1960s to the present. ” 3 Here Vostell enjoins the viewer to participate in disrupting the flow of television entertainment by covering the screen and making it into an abstract, fractured image. Fluxus and happening events in the early 1960s, when artists first appropriated the television set into their artmaking, also extended to altering the electronic patterns of the cathode ray tube.