Animation (Portfolio) by Andrew Selby

By Andrew Selby

From scriptwriting via to construction, this advent to animation for college students surveys key technical approaches and examines a number of stylistic ways. The booklet contains visible examples from key animators and illustrated positive factors on tips to create intriguing animation for various audiences.
This booklet is an important source for an individual who intends to make animation part of their occupation.

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Dialogue recorders—capture sound recordings of actors reading parts for different animated characters. Negative cutter—works closely with the editor to cut film negative precisely to be identical to the final edit. Traditionally, the film is cut using scissors and repaired using a film splicer and film cement. In recent years, the arrival of digital intermediates means that the skills of the negative cutter have been used to lift selected takes from rushes and composited to reduce the amount of digital scanning required.

Marketing/Promotion coordinator—works with the production schedule coordinator to collect, review, and select supporting material from the project that can be used to market and promote the project ahead of its intended release. Supervising sound editor— coordinates the various aspects of sound production. Sound-effects editor—coordinates the gathering, appropriation, and implementation of sound effects used in the production. Sound designer—includes all aspects of sound in an animated production not composed by musicians.

Many animators come from a background that is steeped in the understanding of the art, science, and even politics of movement, through drama, music, and dance, and use this knowledge and experience widely and frequently in their work. The studio environment needs to have sufficient space and resources to allow such actions to occur. The ability to act is often employed by animators to explain their concepts and principles to other members of the crew in the studio environment. These structured or impromptu sessions are useful in helping the team to identify common ideas, explain concepts where other forms of communication are not appropriate, and share a vision of how problems concerning the depiction of characters, environments, and situations might be solved.

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