By Kate Davies
Catharine Macaulay and Mercy Otis Warren have been radical buddies in a innovative age. They produced definitive histories of the English Civil conflict and the yankee Revolution, attacked the British govt and the us federal structure, and instigated a debate on women's rights which impressed Mary Wollstonecraft, Judith Sargent Murray, and different feminists. Drawing on new study (including lately stumbled on correspondence) this can be the 1st ebook to think about Macaulay and Warren within the context of the progressive Atlantic. In a chain of unique interdisciplinary reports, Davies indicates the centrality of either ladies to transatlantic political cultures among the center of the eighteenth century and the flip of the 19th. The adventure of Anglo-American clash shaped Macaulay and Warren's friendship and notably replaced their writing lives. In displaying the way it did so, Davies additionally explains how the progressive Atlantic formed sleek rules of gender distinction. Anglo-American separation had a politics of gender which outlined Warren and Macaulay's knowledge of themselves as ladies and of which their writing additionally provided very important evaluations. Davies's ebook unearths the political value of Mercy Otis Warren and Catharine Macaulay to an period while the truths of patriotism, nationhood and empire have been by no means utterly self-evident yet have been hotly contested.
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Catharine Macaulay and Mercy Otis Warren have been radical associates in a progressive age. They produced definitive histories of the English Civil battle and the yank Revolution, attacked the British govt and the USA federal structure, and instigated a debate on women's rights which impressed Mary Wollstonecraft, Judith Sargent Murray, and different feminists.
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Extra resources for Catharine Macaulay and Mercy Otis Warren: The Revolutionary Atlantic and the Politics of Gender
See also Felicity Nussbaum, Torrid Zones: Maternity, Sexuality and Empire in Eighteenth-Century English Narratives (Baltimore: Johns Hopkins University Press, 1995); Laura Brown, The Ends of Empire: Women and Ideology in Early EighteenthCentury England (Ithaca, NY: Cornell University Press, 1993); Bloch, ‘The Gendered Meanings of Virtue in Revolutionary America’ (1987). 112 Such notions were integral to British and American cultures and the discourses that deﬁned the relationship between them. They were written into the debate on transatlantic association and difference, on unity and separation, and played an insistent role in this debate’s redeﬁnition in the 1780s and 1790s.
Since she is, in effect, denied ofﬁce and its demands, she offers her historical and political critique from a position of disinterested 15 John Duncombe, The Feminiad: A Poem (London: M. Cooper, 1754); Thomas Seward, ‘The Female Right to Literature, in a Letter to a Young Lady from Florence’, in R. Dodsley (ed), Poems by Several Hands (London: R. Dodsley, 1748), 296. Both these poems play on a language of imperialism or perhaps orientalism in their accounts of the social beneﬁts of women’s learning.
Hamilton, 1783). 69 See Lynne Withey, ‘Catharine Macaulay and the Uses of History: Ancient Rights, Perfectionism and Propaganda’, Journal of British Studies, 16 (1976), 59–83. On religion and republicanism in colonial and revolutionary America, see, for example, Ruth Bloch, Visionary Republic: Millennial Themes in American Thought, 1756–1800 (Cambridge: Cambridge University Press, 1985). 70 Nor did Macaulay ﬁnd, like Warren, the same useful and authoritative juncture between a language of patriotic resolution and that of Christian resignation.